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The Art and Science of HDR Imaging (The Wiley-Is&t Imaging Science and Technology)

The Art and Science of HDR Imaging (The Wiley-Is&t Imaging Science and Technology)

Current price: $162.95
Publish Date:
Publisher:
Wiley
ISBN:
9780470666227
Pages:
416
Language:
English
Special Order - Subject to Availability

Description

Practical implementations of HDR rendering have been available in imaging techniques for more than 500 years, and the book begins with an introduction to the history of the discipline. This covers painting, photography, and electronic imaging that all successfully reproduce scenes with a greater dynamic range of light than available in the reproduction medium. These early chapters also explain how human vision is more interested in the relationship of image pixel values than a pixel's absolute value, and the importance of spatial image processing. The second part focuses on optics and psychophysics, describing experiments that measure the physical ranges of light that can be recorded by cameras, and detected by humans, and the importance of light distribution in the scene being captured. The third part on vision science describes human responses to HDR images, looking at how the two spatial mechanisms, optical glare and visual contrast, tend to counteract each other. It describes the correlation of appearance and calculated retinal images, explains why image-dependent glare sets the dynamic range of usable HDR information, evaluates whether HDR displays require a new definition of uniform colour spaces, and explores how HDR affects colour appearances. The final part looks at digital imaging, discussing current technological practices. Whilst silver-halide, pixel-based photography presented a challenge to HDR techniques, the development of digital photography and electronic imaging allowed an image to achieve the same effect as human vision. Spatial algorithms can automatically mimic vision and automatically process all images, and these processes are discussed in digital cameras printers, displays, and image processing software and hardware. This book brings together the relevant thinking on the topic, learning from the disparate experiences of artists (painters and photographers), scientists (optics and vision science), imaging engine.

About the Author

John J. McCann, Consultant, McCann Imaging, USAJohn McCann received a B.A. degree in Biology from Harvard University in 1964. He worked in, and later managed, the Vision Research Laboratory at Polaroid from 1961 to 1996. He has studied human color vision, digital image processing, large format instant photography and the reproduction of fine art. His 120 publications have studied Retinex theory, color from rod/Lcone interactions at low light levels, appearance with scattered light, and HDR imaging.He has been a Fellow of the Society of Imaging Science and Technology (IS&T) since 1983. He is a past President of IS&T and the Artists Foundation, Boston. In 1996 he received the SID Certificate of Commendation. He is the IS&T/OSA 2002 Edwin H. Land Medalist, and IS&T 2005 Honorary Member, and is a 2008 Fellow of the Optical Society of America. He is currently consulting and continuing his research on color vision. Alessandro Rizzi, Università degli Studi di Milano, ItalyProfessor Alessandro Rizzi holds a degree in Computer Science at University of Milano and received a PhD in Information Engineering at University of Brescia (Italy). He taught Information Systems and Computer Graphics at University of Brescia and at Politecnico di Milano. He is currently an assistant professor teaching Multimedia and Human-Computer Interaction, and senior research fellow at the Department of Information Technologies at University of Milano. Since 1990 he has researched in the field of digital imaging and vision. His main research topic is the use of color information in digital images with particular attention to color perception mechanisms. He is the coordinator of the Italian Color GroupConference Chair of Color Conference at IS&T/SPIE Electronic Imaging, and a principle organizer of European Marie Curie Project CREATE.

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