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Sounding Bodies: Music and the Making of Biomedical Science

Sounding Bodies: Music and the Making of Biomedical Science

Current price: $55.00
Publication Date: October 11th, 2022
Publisher:
The MIT Press
ISBN:
9780262046350
Pages:
408
Special Order - Subject to Availability

Description

The unfolding influence of music and sound on the fundamental structure of the biomedical sciences, from ancient times to the present.

Beginning in ancient Greece, Peter Pesic writes, music and sound significantly affected the development of the biomedical sciences. Physicians used rhythmical ratios to interpret the pulse, which inspired later efforts to record the pulse in musical notation. After 1700, biology and medicine took a “sonic turn,” viewing the body as a musical instrument, the rhythms and vibrations of which could guide therapeutic insight. In Sounding Bodies, Pesic traces the unfolding influence of music and sound on the fundamental structure of the biomedical sciences.
 
Pesic explains that music and sound provided the life sciences important tools for hearing, understanding, and influencing the rhythms of life. As medicine sought to go beyond the visible manifestations of illness, sound offered ways to access the hidden interiority of body and mind. Sonic interventions addressed the search for a new typology of mental illness, and practitioners used musical instruments to induce hypnotic states meant to cure both psychic and physical ailments. The study of bat echolocation led to the manifold clinical applications of ultrasound; such sonic devices as telephones and tuning forks were used to explore the functioning of the nerves. 
 
Sounding Bodies follows Pesic’s Music and the Making of Modern Science and Polyphonic Minds to complete a trilogy on the influence of music on the sciences. Enhanced digital editions of Sounding Bodies offer playable music and sound examples.
 

About the Author

Peter Pesic, writer, pianist, and scholar, is Director of the Science Institute, Musician-in-Residence, and Tutor Emeritus at St. John’s College, Santa Fe. He is the author of Labyrinth, Seeing Double, Abel’s Proof, Sky in a Bottle, Music and the Making of Modern Science, and Polyphonic Minds, all published by the MIT Press.