By Georges Didi Huberman
Georges Didi-Huberman’s Spring 2018 MIT Press title “The Eye of History: When Images Take Positions” is the second volume in the Ryerson Image Center Books series. It joins our shelves alongside Thierry Gervais’ 2016 edited volume “The ‘Public’ Life of Photographs.”
By Timothy Morton
Bjork has a pithy endorsement of Timothy Morton’s new Press title Being Ecological:
“I have been reading Tim’s books for a while and I like them a lot.”
By Jeffrey Lieber
“Deftly moving among architecture, film, philosophy, and politics, Lieber illuminates the artifice that resulted from the conjunction of high style and mass-cultural values in postwar America.”
Jeffrey Lieber’s Spring ’18 title, Flintstone Modernism, or the Crisis in Postwar American Culture, reads as wittily, stylishly, and bitingly as its subject suggests. Tricolor print run includes red, blue, and yellow covers.
Good call or bad call, referees and umpires have always had the final say in sports. Bad calls are more visible: plays are televised backward and forward and in slow motion. New technologies—the Hawk-Eye system used in tennis and cricket, for example, and the goal-line technology used in English football—introduced to correct bad calls sometimes get it right and sometimes get it wrong, but always undermine the authority of referees and umpires. Bad Call looks at the technologies used to make refereeing decisions in sports, analyzes them in action, and explains the consequences.
Used well, technologies can help referees reach the right decision and deliver justice for fans: a fair match in which the best team wins. Used poorly, however, decision-making technologies pass off statements of probability as perfect accuracy and perpetuate a mythology of infallibility.
Paid Tales of Dongles, Checks, and Other Money Stuff Edited by Bill Maurer and Lana Swartz ($17.95)
Museums are full of the coins, notes, beads, shells, stones, and other objects people have exchanged for millennia. But what about the debris, the things that allow a transaction to take place and are left in its wake? How would a museum go about curating our scrawls on electronic keypads, the receipts wadded in our wallets, that vast information infrastructure that runs the card networks? This book is a catalog for a museum exhibition that never happened. It offers a series of short essays, paired with striking images, on these often ephemeral, invisible, or unnoticed transactional objects—money stuff.
Although we’ve been told for years that we’re heading toward total cashlessness, payment is increasingly dependent on things. Consider, for example, the dongle, a clever gizmo that processes card payments by turning information from a card’s magnetic stripe into audio information that can be read by a smart phone’s headphone jack. Or dogecoin, a meme of a smiling, bewildered dog’s interior monologue that fueled a virtual currency similar to Bitcoin. Or go further back and contemplate the paper currency printed with leaves by Benjamin Franklin to foil counterfeiters, or khipu, Incan records kept in knotted string.
Bernardo Bátiz-Lazo, Maria Bezaitis, Finn Brunton, Lynn H. Gamble, David Graeber, Jane I. Guyer, Keith Hart, Sarah Jeong, Alexandra Lippman, Julien Mailland, Scott Mainwaring, Bill Maurer, Taylor C. Nelms, Rachel O’Dwyer, Michael Palm, Lisa Servon, David L. Stearns, Bruce Sterling, Lana Swartz, Whitney Anne Trettien, Gary Urton
Out now in paperback
In 1944, Britain led the world in electronic computing. By 1974, the British computer industry was all but extinct. What happened in the intervening thirty years holds lessons for all postindustrial superpowers. As Britain struggled to use technology to retain its global power, the nation’s inability to manage its technical labor force hobbled its transition into the information age.
In Programmed Inequality, Marie Hicks explores the story of labor feminization and gendered technocracy that undercut British efforts to computerize. That failure sprang from the government’s systematic neglect of its largest trained technical workforce simply because they were women. Women were a hidden engine of growth in high technology from World War II to the 1960s. As computing experienced a gender flip, becoming male-identified in the 1960s and 1970s, labor problems grew into structural ones and gender discrimination caused the nation’s largest computer user—the civil service and sprawling public sector—to make decisions that were disastrous for the British computer industry and the nation as a whole.